{"product_id":"don-t-touch","title":"Don’t touch 2.0","description":"\u003cp\u003e\u003cstrong\u003eMedium\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAcrylic Paint on Canvas using Stuart Semple Black 2.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e80 x 80 cm\u003cbr\u003e 1 in Canvas Depth\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis piece came from experimenting with reflective surfaces and pushing realism into something less recognisable and more abstract.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe background was painted using Stuart Semple’s Black 2.0, his homage to VantaBlack, a trade marked black that absorbs over 99% of visible light. Go check out Stuart’s mission to bring new colours and materials to artists. Using black 2.0 gave the surface an unusually flat, light-absorbing finish and made the reflections feel almost suspended against it. A 3D shape painted in this looks flat, so you can imagine how interesting this is to use. I liked the contrast between the completely matte black and the highly rendered, liquid-looking form in the centre.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eOne of the earlier pieces where I started leaning more heavily into abstract realism and material studies rather than straightforward observational work.\u003c\/span\u003e\u003c\/p\u003e","brand":"Christy Church Art ","offers":[{"title":"Default Title","offer_id":53977384124758,"sku":null,"price":659.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0803\/3845\/2822\/files\/F2433259-7B17-42A0-BFB2-E5DB4B11C151.jpg?v=1779568847","url":"https:\/\/christychurchart.com\/products\/don-t-touch","provider":"Christy Church Art ","version":"1.0","type":"link"}